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DescriçãoDhaka street crowds.jpg
English: Dhaka streets (Bangladesh). There is no way to imagine Dhaka's crowds repeating themselves without hearing their sounds. Staying the night in the hotel room from which this photo is taken doesn't give you sleep. Instead it teaches you what KAKAPHONIA really means: it means hearing any possible human sound you can think of at the same time, so that you provide yourself with the feverish threats for your culture shock (also if you're accustomed to India). You'll hear what you think of - and you don't stop thinking. Actual sounds - including (in the middle of the night) marriage parties, political demonstrations, sirens, drums, shouting, market screams, passengers and ricksha drivers hitting busses, claxoning, and who knows what kind of anguish - all combine into every known and not-yet-known rhythm.
To be sure, you know the same pattern is repeated endlessly along Dhaka's long roads where urban specialisation is not measured into neighbourhoods yet around every single building: in front of it: on the street, the pavement, below the pavement's market; the building's ground floor markets, its back yard, the first, second and higher floors, all with floor-specific businesses and characters, yet seemingly similar in every next building.
Esta imagem, que foi originalmente carregada no Flickr, também o foi no Commons por meio do Flickr upload bot em 20 de setembro de 2007, 22:30 por Ranveig. Na data citada, a licença da imagem era a que está abaixo.
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(19) the making or publishing of a painting, drawing, engraving or photograph of architecture or the display of a work of architecture;
(20) the making or publishing of painting, drawing, engraving or photograph of a sculpture or other artistic work falling under section 36(c) (enumerated as "other works of artistic craftsmanship" under Sec. 2, "Definitions"), if such work is permanently situated in a public place or any premises to which the public has access;
(21) the inclusion in a cinematograph film of – (i) any artistic work permanently situated in a public place or any premises to which the public has access; or (ii) any other artistic work, if such inclusion is only by way of background or is otherwise incidental to the principal matters represented in the film;[...]
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