Rembrandt: A Noiva Judia
![reasonator:Q766782](https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Wikidata-Reasonator_small_logo.svg/5px-Wikidata-Reasonator_small_logo.svg.png) |
Artista |
Rembrandt
(1606–1669) |
![Rembrandt](https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Rembrandt_van_Rijn_-_Self-Portrait_-_Google_Art_Project.jpg/120px-Rembrandt_van_Rijn_-_Self-Portrait_-_Google_Art_Project.jpg) |
Nomes alternativos |
Rembrandt van Rijn, Nome de nascimento: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
Descrição |
pintor,
impressor e
projetista norte-holandês |
Data de nascimento/falecimento |
15 de julho de 1606 ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
4 de outubro de 1669 ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
Local de nascimento/falecimento |
Leida ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
Amesterdão ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
Período de trabalho |
cerca de 1625 a 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902 |
Local de trabalho |
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Arquivo de autoridade |
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artist QS:P170,Q5598 |
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Título |
Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’ |
Tipo de objecto |
pintura ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
Género |
retrato ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
Pessoas retratadas |
Isaac ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
Data |
entre 1662 e 1666 date QS:P571,+1662-00-00T00:00:00Z/8,P1319,+1662-00-00T00:00:00Z/9,P1326,+1666-00-00T00:00:00Z/9 |
Técnica |
Óleo sobre tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensões |
altura: 121,5 cm; largura: 166,5 cm dimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 |
Coleção |
Rijksmuseum
![wikidata:Q190804](https://upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/20px-Wikidata-logo.svg.png) |
![Rijksmuseum](https://upload.wikimedia.org/wikipedia/commons/thumb/2/2d/20130420_Amsterdam_04_Rijksmuseum.JPG/176px-20130420_Amsterdam_04_Rijksmuseum.JPG) |
Nome nativo |
Rijksmuseum Amsterdam |
Localização |
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Coordenadas |
52° 21′ 36″ N, 4° 53′ 07″ E ![Editar isso no Wikidata](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
Estabelecido |
1800 |
Sítio |
rijksmuseum.nl |
Arquivo de autoridade |
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institution QS:P195,Q190804 |
Localização atual |
Gallery of Honour |
Número de inventário |
SK-C-216 |
Lugar de criação |
Amesterdão |
História do objeto |
por 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Vaillant (Provavelmente Christiaan Everhard Vaillant (1746-1829)), Amesterdão
1825: comprado por John Smith (
negociante de arte), Londres, de Vaillant, Amsterdam por 5 000 NLG
de 2 de maio de 1828 a 3 de maio de 1828date QS:P,+1828-05-00T00:00:00Z/10,P580,+1828-05-02T00:00:00Z/11,P582,+1828-05-03T00:00:00Z/11 : venda da colecção de John Smith em Stanley, Londres, cat. nº 67,, por 420 GBP (como ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)
julho de 1833 (?): comprado por Albertus Brondgeest de Smith por Adriaan van der Hoop (1778-1854), Amsterdam por 6 825 NLG
1854: legado para the city of Amsterdam, Número de inventário SA 8292, por Adriaan van der Hoop, Amsterdam
30 de junho de 1885: emprestado a the Rijksmuseum Amsterdam, Amsterdam, Número de inventário SK-C-216, por the city of Amsterdam
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Exposições |
Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Amesterdão, 8 de setembro de 1898–novembro de 1898, cat. nr 119.
Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 de junho de 1932–4 de setembro de 1932, cat. nr 40.
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amesterdão, 18 de maio de 1956–5 de agosto de 1956, Museum Boijmans Van Beuningen, Roterdão, 8 de agosto de 1956–21 de outubro de 1956, OCLC 15659340, cat. nr 96.
Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 de setembro de 1969–30 de novembro de 1969, cat. nr 22.
Rembrandt-Caravaggio, 24 de fevereiro de 2006–18 de junho de 2006, Van Gogh Museum, Amesterdão, Cat.no. 29.
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Inscrições |
Assinatura e data no rodapé direito:
Rembrandt f. 16[..]
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Referências |
AnónimoUnknown author, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, cerca de 1665 date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 -cerca de 1669date QS:P,+1669-00-00T00:00:00Z/9,P1480,Q5727902 , altura: 121,5 cm; largura: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnónimoUnknown author, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, altura: 121,5 cm; largura: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnónimoUnknown author, RKDimages, nº da obra 3068, como Portrait of a couple as Isaac and Rebecca, 1662-1666, altura: 121,6 cm; largura: 166,4 cmdimensions QS:P2048,121.6U174728 dimensions QS:P2049,166.4U174728
AnónimoUnknown author, Bildindex der Kunst und Architektur, objecto 20186112, como Das Brautpaar (Die Judenbraut), após 1665date QS:P,+1665-00-00T00:00:00Z/7,P1319,+1665-00-00T00:00:00Z/9 , altura: 121,5 cm; largura: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728
AnónimoUnknown author, Web Gallery of Art, como The Jewish Bride, cerca de 1665date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 , altura: 122 cm; largura: 167 cmdimensions QS:P2048,122U174728 dimensions QS:P2049,167U174728 .
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ». |
Arquivo de autoridade |
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Fonte/Fotógrafo |
www.rijksmuseum.nl : Home : Info |
Outras versões |
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